[W]hile prose tends toward pure ‘interiority,’ coming to life in the reader’s mind, and cinema gravitates toward the ‘exteriority’ of experiential spectacle, perhaps ‘comics,’ in its embrace of both the interiority of the written word and the physicality of the image, more closely replicates the true nature of human consciousness and the struggle between private self-definition and corporeal ‘reality.’

Daniel Clowes, Ice Haven